“Eating right
leads to a better life.”
The Cookie
Monster* #quote
I'm still sick,
though I am getting better I'd say. Perhaps in a few days I shall be
better, but with these things you can't really know. This is
unfortunate because that means I am weaker to psychic attacks for a
little longer. Anyway onto the flash fiction!
The Bent
Studio
The artist painted the walls of
his studio himself. He used blacks and whites to make smooth curves
and perfect lines into carefully crafted patterns. The way he united
these patterns around the room made it impossible to figure out where
the walls met the ceiling and where they met each other.
With
his patterns he made the optical illusion that no matter where
someone stood it looked like the walls in front of them went further
away while the walls on sides closed in. The door was also painted so
that it would blend in with them and become just another part of the
sea of whites and blacks that made up the illusion.
The
optical tricks made all of space visibly mutate and the ceiling
closed in when the floor rose up. The illusion on the floor made
anyone that walked on the floor sink into it. People have gotten lost
in the small room because they couldn't find the door among the
optical tricks.
To
help the artist put his paintings on the walls to guide people.
Because of the illusions of the rooms the paintings appeared to float
freely as their frames blended in with the patterns of the walls and
made the paintings jump free from the illusions. People could
navigate around the room by using the paintings as landmarks.
The
artist's self portrait served as the most important guide because it
hung opposite of the door. In it the artist wore a dark blue collared
shirt that fit snugly around his thin neck. The artist's skin was
smooth as glass and gleamed like fine glass would. He had a delicate
nose that looked regal in appearance. The expression on his face
conveyed perfect calmness. Looking directly into the portrait's eyes
for too long would rob someone of all their anger. His smile gave off
a feeling of warmth and confidence. His short brown hair ran cleanly
over his cheeks and forehead with a small curls at the ends. The
artist's portrait seemed to act like a guardian over all the other
art in the studio.
The
actual artist then entered the room. The true artist had scraggly
hair and eyes with a tired look in them. Small hairs dotted his chin
and his cheeks appeared beaten and rough. His large nose arced a
little downward. He wore an old, tattered red t-shirt with mangled
jeans. He had a large, nasty scar that crawled along his forehead
that everyone could see no matter how much he tried to hide it with
his hair. He carried a big green suitcase whose color clashed with
the optical illusions in the room so much that it looked like it tore
apart the walls.
“So
how are you?” the artist's portrait said to him in a strong, yet
caring tone.
“Fine,
thanks for asking.” the artist responded in a nearly breathless
voice.
“I'm
glad to hear that.” the self-portrait responded without moving his
lips. The artist's portrait was the first painting that spoke to him,
though now every piece of art he creates speaks to him with their own
voices.
“What's
in the suitcase?” asked a painting to the left of the
self-portrait. The high-pitch voice of the painting sounded like it
bubbled up from the bottom of a pool. The voice belonged to a
watercolor painting of a park that the artist went to as a child.
Despite the massive size he gave to the park there was only one child
in it sitting on a swing. It was a little girl that used to be his
best friend before he moved all those years ago.
“Is
it a new brother or sister for us?” a whisper from a landscape of
the woods asked. The artist painted the woods in a mellow autumn.
Sometimes it seemed to him that the whisper from the woods came more
from the fallen leaves than the trees.
“It's
a new painting.” he responded. He opened the suitcase to reveal an
incomplete painting and some of his painting supplies. He sat
cross-legged on the floor and knelt over the unfinished painting.
There was only one source of light in the room, a bare bulb hanging
from the exact center of the ceiling. This made him cast a thick
shadow on his developing painting.
A
deep cave filled up the painting. And inside the darkness of that
cave he had begun to paint a dragon. He hesitated when he grabbed his
brush. Yesterday he finished the body, wings, claws, neck and tail of
the beast. The last thing the dragon needed was its head. The artist
looked at his brush and imagined putting the last strokes of color
onto the painting and bringing the dragon's voice to life. He knew
that if he never completed it, then it would never speak to him.
“You
shouldn't be hesitating.” his self-portrait told him. “You
shouldn't keep the painting waiting, it needs to live.” the
portrait spoke to him with a thick tone. “Bring it to life.”
With
that command the artist finished the last few brush strokes. He then
heard the dragon moan and take a deep breath. “Thank you.” the
dragon's voice sounded like someone tearing metal. Its words shook
the insides of the artists ears. “While I waited for that last
brush stroke I wondered if you would actually complete me. Was it
okay for me to be afraid?” the dragon asked the artist.
“You
shouldn't have worried. We're always willing to accept more members
into our family.” the self-portrait answered.
The
room filled with the chatter of the paintings while the artist hung
the dragon on the wall and gave it a mellow smile. Despite its
intimidating voice the dragon made plenty of friends in a short
amount of time. The residents of a ballroom painting welcomed the
dragon, as did the landscape of the woods.
“Oh,
we'll have a new family member tomorrow too.” the artist smiled as
he looked around the room at all of his paintings.
“So,
are you finally bringing her into the studio?” the self-portrait
spoke more like he was giving an order than asking a question.
“Yes,
she's coming here.” the artist responded with a glad and nervous
tone. The artist grew a little smile and left his studio.
The
next day a woman entered the studio. She wore a black dress that
managed to look cheery despite its color. The dress clung to her body
like curtains to a window.
When
she walked into the room her brown eyes met the self-portrait's
calming green ones. Despite the differences between the portrait and
the genuine article she could still tell the portrait was supposed to
be her love. She didn't care about all the physical flaws that the
artist removed in his portrait, even the big, mangled scar that ran
across his forehead.
As
she walked across the room her black dress flowed into the illusions
of the room and it seemed as if everything in the room followed her.
Her red hair managed to break some of the illusions apart so as the
hair moved the room twisted around it. She almost fell over twice
before she got used to all the illusions.
The
artist entered the room after her, carrying art supplies, including
paints and a canvas. After he set them down he left and came back
with two chairs, one for him and one for her. He set the canvas up
while she posed in a delicate posture.
“She's
quite beautiful.” the self-portrait spoke with a tone that made his
statement sound like undeniable fact. “I'm glad you listened to my
advice and decided to bring her here.” The paintings began to
chatter, commenting on her and agreeing with the self-portrait. While
he began painting her they continued to talk. The artist managed to
ignore them enough to focus.
He
painted his love's body nearly exactly as it truly was, though he
softened the dress, smoothed the skin and made her expression a
little more sly. In the background of the portrait he replaced the
room's optical illusions with waves of ripe apple red.
“It's
finished.” the artist told her with a short breath. He expected the
portrait of her to start speaking and interrupt him, but it didn't.
He turned the canvas towards her.
“It's
wonderful. You're so talented.” she looked around the room.
“Knowing now that all these wonderful paintings were in here I
wonder why you didn't bring me in here before.” she said while the
paintings began to chatter again. After he hung her portrait on the
wall they left the studio. For years he entered and left his studio
with all of the paintings still talking except the portrait of his
love.
“You
saw it today didn't you?” the portrait of her said to him one
gloomy day. “A sign of age in her.”
“What
do you mean?” he asked the portrait, still a little shocked at its
sudden statement.
“You
know her beauty isn't going to last forever.” the portrait
responded. “Whatever imperfection you saw in her today, as she ages
they will be more. Her beauty will fade until she's nothing but an
ugly old hag.”
“That's
not true, she'll always be perfect.” the artist responded with a
sullen tone.
“My
beauty will stay, I'll be youthful forever, I won't die like she
will.” the portrait's soft voice patted his ears.
“Quiet
you wretch.” the self-portrait snarled at her. “I should have
never let him make you. I'm the only one he needs to listen to.”
“Forget
what he said. You should get rid of her. Keep only me, I'll stay
perfect while she'll rot away. Forget both of them. I'm the only one
you will ever need.” her voice got both softer and stronger as she
spoke.
“Shut
up, both of you! You're not even real!” he yelled at the paintings.
All the paintings began to talk at once, telling him to never say
such things.
“Not
real?” the self-portrait's tone became loud and angry, his voice
boomed over all the other paintings. “There are only two options
here. Either we're real, or you're crazy. Which would you rather
believe?”
The
artist felt at the large scar on his forehead. The more he thought
about all of it, the more depressed he became. Though once he thought
about her, the real her, he gained a new conviction.
“It
doesn't matter if I'm crazy or not. Today is the last day any of you
will talk to me.” he picked up a paintbrush and dipped it sloppily
into black paint. He walked up to the portrait of his love. The paint
that dripped from the brush broke apart the optical illusions of the
room as it fell onto the floor. He moved his brush in wide strokes
across the canvas.
“No!
Stop!” the portrait screamed as she was immersed in black. He
didn't leave any piece of the portrait uncovered.
“You killed her. You really
killed her.” the self-portrait's voice shivered and shuddered. The
artist turned to his self-portrait. “Are you going to kill me too?
You wouldn't, not after all this time, all the time I guided you and
help you make decisions.” The artist began to swipe his blackened
brush along the picture. As the artist was about to finished the
self-portrait said “I suppose the only thing I can do now is
forgive you.” After that none of the paintings ever spoke again.