“Door number
one, or door number two?”
Saint Peter*
#quote
Today a dog
told me someone was at the bottom of a well. He was quite fine since
he had a ladder. Anyway onto the flash fiction!
Author
Factory
Authors
came down the assembly line, one at a time. There were models of
every kind. Horror, Romance, Science Fiction, Fantasy, Adventure,
Comedy, Historical, and so many other types were all shoved down the
line by robotic arms. Every time an author was produced the factory
swallowed a bit of coal and belched smoke.
But
the Publisher, which is what the machine producing the authors was
called, did not design the authors. Smaller robots, called Agents,
would put author models into the Publisher’s database, and they
crossed their mechanical fingers eager for them to be processed. The
agents mined their authors from caves all throughout the world, like
anyone would with any other raw material.
But the most
important thing in the author production process was at the end of
the assembly line. Sometimes called “Quality Control”, other
times called “Filters”. But their real names were Critics. With
their metallic eyes they scrutinized the authors then determined
which ones were defective, then threw them into the trash bin. They
were relentless; some of the most effective ones were called
hypocrites.
Yesterday the
following authors came down the line:
First came a Horror
author. Not creepy or withdrawn, but actually a very jovial and happy
person. He treated Horror as his second love, a duality with his
first love: his family. Especially his little girl with her cute,
blue, polka-dotted dress and bright smile.
Next came a Romance
author. She never wrote with the simple boy meets girl format. She
treated love as a hidden treasure, something to be discovered. The
characters usually didn’t even realize they were destined to each
other until the middle of her book, at the earliest. At times she
made it to where they didn’t even know of each other’s existence
until a quarter of the way through. But that made it ever so sweeter
when the love was finally tasted.
Third came a
Fantasy author. He didn’t write about ferocious dragons,
unspeakable curses or powerful wizards. Instead he wrote about the
little magic elf in your computer, which was what was actually
delivering your emails. Or perhaps the lawn gnome sentry keeping your
garden protected from the goblins of the night. Maybe even the ghost
right behind you as you read, giggling at that dirty thought that
just popped into your head.
At the tail end the
comedy author sat. But he didn’t profess in slapstick or puns. He
was the man that made you laugh at death, disease, and misfortune.
From the angle he showed you, all that became giggle worthy. As the
class clown of the morgue he got more laughs than he should have.
All would have been
thrown away that day. The Critics would have determined they did not
fit the standard mold. They all their flaws, the Horror writer too
happy, the Romance author didn’t believe in love at first sight,
the Fantasy author didn’t have a single warlock, and the comedy
author’s humor improper. All trashed. At least they would have been
without the malfunction.
That day something
went wrong. A variable switched, loop broken, or server disconnected,
all probable causes. That day all the Critics’ code was wiped. They
had no programs or applications to follow. All standards and
prejudices were gone. The only thing left was their eye.
They no longer had
their preprogrammed equations to think with. Like didn’t equal
good, hate didn’t equal bad. Good equaled good because no variable
existed to compare it too. It was what it was. Now with no code the
Critics closed the bin, as they had no reasons left to discard the
authors. The four saved authors became best sellers, and so many more
followed behind them.
But the Critics
were soon missed. No matter how many authors were or weren’t
discarded the Publisher would still produce more. The Agents came
with more, now more fervently because of the knowledge of guaranteed
success. The factory overflowed, too many authors for the assembly
line. Too many to even fit in the factory.
The Readers,
eagerly awaiting the authors outside the factory, did not expect the
torrent that followed. They honestly tried to fight. But the tsunami
buried them. When they tried to read one, ten more presented
themselves. The death tolls were in the millions.
Management didn’t
know what to do. They stopped production for a moment of thought.
When the Critics broke they saw two things. The many gems that came
out, and the crisis of overflow.
After months of
deliberation and debate a solution arose. They added a stage to
production. Called Refinement, this stage had new types of workers.
These new robots
came in many models; Friends, Family, and even Other Authors included
in the list. The Refinement workers never threw away a single author.
At every stage of production they did only one thing: fix. Through
pats on the back, advice, and other support they retooled the author
before sending back down the line again.
No
author was ever thrown away again. Critics played their part in
weeding out the problems, but now they only threw the authors to the
back of the line instead of to the garbage bin. The only time when an
Author truly left the assembly line was when they jumped off
themselves.
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